Frankenstein and Macbeth Essay Example for Free

Frankenstein and Macbeth Essay The novel Frankenstein by Mary Shelley and the play Macbeth by William Shakespeare, both adhere to the Shakespearean view of tragedy. They contain elements of the supernatural and use literary devices like Nemesis Pathos. We see the passion ambition of characters, ultimately leading to their tragic flaw. But in both cases, not every character is deserving of his/her fate. Frankenstein and Macbeth, both contain elements of the supernatural. In Macbeth there are witches and powers of witchcraft. On the other hand, the story of Frankenstein contains a so-called devil in flesh the Monster. Both Macbeth and Frankenstein are above-average human beings with exceptional qualities. In both cases, the tragic hero is a man of tremendous potential and capability. The Monster created by Frankenstein is totally supernatural. There are also supernatural occurrences in Macbeth, like for instance when King Duncan is murdered. The two stories have a main character, Frankenstein and Macbeth. They both have a hero and a heroine in them. In the story, Macbeth and Frankenstein suffer due to their simple mistake that led to serious consequences. Both the stories arise pity and fear in the audience or readers. Towards the end, we feel a need for these characters to be punished for their crime (Nemesis). The stories end with the death of Frankenstein and Macbeth. The tragedy lies in the fact that their greatness is being wasted. We see passion and ambition tempt an essentially good man to embark on a course of action that sends him on the downward path to destruction. Macbeth and Frankenstein are driven by passion, which ultimately become their tragic flaw. Frankenstein is not a villain. He is a tragic figure who was tempted and who fell. Macbeth on the other hand, is not merely a tyrant.

Joseph Mallord William Turner Important English Painter English Literature Essay

Joseph Mallord William Turner Important English Painter English Literature Essay Considered by numerous historians of the art like the most important English painter for all time, it demonstrated to be carrying of an unusual talent from very early age and in 1789, just by 14 years, its father, barber of profession, it registered it in the school of art of the Royal Academy of which it would happen to be effective member as of 1802. Its life was signed by a capacity of artistic creation without rest and a total dedication to the drawing and the painting, in addition to the numerous trips that made until 1845, shortly before its death, and that was shaped of concrete way in the set of their works. Therefore, in 1795 it consecrated one of his first trips to the preparation of sketches in Wales of the south and the island of Wight. Soon, in 1802, during La Paz of Amiens, one went for the first time to the foreigner crossing France until Swiss the Alps and, to its return, one stopped in Paris to contemplate works of Claude Lorrain, Tiziano and Poussin in the Louvre. Later it crossed Belgium, Holland and the Valley of the Rin and, in 1819, stepped on for the first time Italian earth to which it would return in three opportunities. These reiterated visits had singulars repercussions in their art to which reference will be made more ahead. Although, since it has been said previously, Turner prodigiously was equipped, had to fight hard to find its way. First from its watercolors of which it is had registry dates from 1787, when only it was twelve years old; in 1794 he was already a teacher of the style and the traditional technique of the landscape treated in drawing and watercolor, the ilustrativo-topographic planning. Nevertheless, as of this moment, a marked interest begins to demonstrate itself on the luminous phenomenon and the first indications of a romantic interpretation of the nature. Against this background, the work acquires great relevance that Tuner carried out, in collaboration with the watercolorist Thomas Gritin, in the residence of the Dr. Thomas Munro, English painting collector, that adjudged to both artists the preparation of some copies and the culmination to them of sketches and incomplete works of one of the parents of the English paisajismo: J. R. Cozens, that was, in addition, a recognized water colorist. Therefore, from a deep reflection on the work of Cozens and the collaboration with Gritin, Turner was able to free itself of certain convencionalismos seeing itself favored, in this way, the manifestation of a more personal style in the one than their conditions of colorista were harnessed. Through present work, it will be tried to put light on some coordinates that, is expected, allow to draw up the peculiar aspects of the art worked by the posrrevolucionario romanticism. Therefore, in the first part of this monograph they will be exposed, sucintamente, some essential characteristics of this movement in which the emergency of the new sensitivity that found echo, in the artistic creation, the appeal to an unpublished freedom under the primate of the individuality and the introspection acquires a central place. Finally, a route through the recognized work of paisajista English Joseph Mallord will set out William Turner, who managed to shape like few the tragic condition of escindido romantic I, a man to whom the access to the mysteries of the nature has been forbidden him and, therefore, of its own existence. Irrationality and I disillusion the irrational force deployment, that had been folded during the century of the lights, and that characterized to the romantic movement, an inheritance of the French Revolution can be considered. Although many contemporaries conceived in the revolution a potential arrival to the Age of the Reason, today we know of the vertiginous failure who suffered their ideals and programs. Nevertheless, and as it express H. G. Schenk: [] The explosion of the subconscious irrational impulses that characterized so many aspects of the revolution was the signal of battle of the romantic ones against the reason. Therefore, the revolution helped to send the romantic movement. Against this background, it turns out advisable to clarify that the love that the romanticism declares by the irrational aspects is not concomitante with the rejection to the reason but with the necessity of its extension taking care of questions marginalized by the hegemonic thought of century XVIII: sensitivity, the intuition, the imagination, the dreams, the passion. Therefore, the illustrated, happened project in scientific ideology of rationalization technical of the world, he was questioned by the desatencià ³n which one was put under an essential part of the human nature. The romanticism and, consequently, the art that east movement practiced are born like answer to this conjuncture: the triumph of the dehumanized scientific conception of the world and its intention of dominion of the man and the nature to which the frustration as opposed to the defeat of the revolutionary ideals must be added, germ of the restoration of a new tragic time. The disappointed romantic man notices that a time lives that in the open leaves Gods them have left it, that have been expelled from the harmony with the nature. It feels that his I one is escindido in two: mind and soul, and will long for a mythical reconciliation, that is to say, the return to a Golden age, identified with the old Greece, in which the myth was language of the creation of the world and source of answer to the essential questions of the man which they cannot be solved from the scientific rationality. In frank rejection to division of fields of knowledge, romantic contemplates to Greece archaic, in that truth, beauty and nature formed an all only one to which the man acceded, like the moment where it materializes yearned for ideal of union of poetry and science. As it will be exposed more ahead, great part of the anguish and desolation of the romantic man is based in the conscience of which such reconciliation is, in truth, impossible. The revolution of the art Numerous historians maintain that the artistic creations of the revolutionary period do not present/display innovations at stylistic level but that, on the contrary, remain within the canons of the old clasicismo the Rococo. Nevertheless, in a specific sense, it is possible to speak of a revolutionary art since although these pictorial works present/display a continuity with the own style of the clasicismo, during this historical stage it dominates the classic forms a new content and a new sense to him. Therefore, as it express Arnold Hauser, with the revolution the art becomes a confession of political faith that finds its motor in the persecution of the social transformation. The importance of the revolutionary art is based not as much in the art that practiced but for that laid the the foundations: the romantic movement. The stylistic innovations were supeditadas to the blossoming of a new society, a new conception of the world and the man that were materialized, soon, in the posrrevolucionario art. The sign of the romanticism As it is known, the romantic term is extremely multipurpose. The use of this word (derived from romance) is registered, primigeniamente, in the England of century XVII. In just a short time, the term romantic peyorativamente began to be used by the rationalism. Was used to describe it that remote thing of the reality or that had fantastic characteristics, strange, improbable, false it. At the same time the word was used romantic to allude to natural landscapes that presented/displayed unreal aspect, fantastic, huge. These meaning stayed throughout the half following century and, little by little, they were taking a more positive shade. Finally, she was Rousseau who carried out a reinterpretacià ³n of the term that, this way, happened to indicate the qualities of an object to indicate the feelings of the subject. This rousseauniana interpretation of the romantic term was inserted quickly in Germany where it was incorporated like the aesthetic category that corresponded with the new sensitivity that was being developed in Europe.

A Sense Of Urgency And John P Kotter Philosophy Essay

A Sense Of Urgency And John P Kotter Philosophy Essay John  P.  Kotter  is the Konosuke Matsushita Professor of Leadership, Emeritus, at Harvard Business School. Kotter is an eminent and renowned author in the field of writing books regarding change in the organizations. John Kotter is internationally and extremely regarded as the speaker and a critical thinker on the topic of change and leadership. Kotter is also famous for his authentic opinions for bringing about change and has a distinguished place as an international business consultant. His latest book A Sense of Urgency in which he talked about eight steps to overcome and embrace change is a sequel of his previous work, Leading Change and Our Iceberg Is Melting The first step of the eight is a sense of urgency which is poorly handled by the most organization and consequently becomes the reason of organizational decline, so Kotter presents and suggests the gruesome guidelines to the organizations that how they would actually transform successfully. Kotters wide experience an d knowledge on affluent change have been proven time and again. The title of the book A Sense of Urgency is very appropriate with its subject matter. He discusses in his book the first step in bringing change in the organizations in detail. He identifies the single and enormous factor to a successful change, which also is regarded his number-one principle: creating a true sense of urgency. SUMMARY John Kotter in his book A Sense of Urgency tries to answer the most frequently asked question, What is the single biggest error people make when they try to change? In the course of his research and asking different managers about their experience, he landed on the finale, that at the groundwork of any effort to change you have to start with a sense of urgency. This can sometimes be mistaken for a false sense of urgency. Everyone looks like they are actively achieving the companys goal but really they are aggravated and forced. This can make it hard to keep your focus on the companys main objective. In this book, A Sense of Urgency the distinction between true urgency and false urgency will be discussed. To maintain urgency up, over a large period of time, urgency has to be re-created over and over again. Urgency basically always leads to triumph, which then leads to satisfaction. This satisfaction is for the most part obvious, after a company encounters a large grow and the captivating frame of mind is conspicuous. A triumph allows people to feel that the urgency is over and they become complacent with their work. But when a triumph has been made rejoice, it is hard to be provoked daily without ever feeling like you accomplished anything. Kotter stresses upon the fact of complacency in the organizations. In the beginning he somewhat accepts the reality that this complacency is actually a root cause of the downfall of any organization. As per his point of view, in this fast moving world everything is changing quickly and the people who do not want to cope with it, would soon tumble down. They have no perspectives of their own. Their sluggish behavior will soon hazardous for not only to them but their surroundings too. They always think that they are perfect and challenges are only being faced by others. It does not prove that the writer wants to implement a sudden change which would only occur in such a way that people make presentation on power point and lot of meetings being arranged and in the end no solution would be made. Kotter is not in the favor of false urgency. It usually brings frantic results which destructs the action of true urgency. The writer believes in a positive approach in life. He approves the time of all is well or everything is a mess has gone and the behavior to move forward and win is required. Political and social environment keeps on changing and what a single person can do is, to move ahead without having any repercussion of his past failures. Kotter presents different tactics by narrating anecdotal stories and detailed tool to make the book more pragmatic and useful. His tactics are: 1. Identification of the lack of right urgency. 2. Face the reality of change. 3. Patience in the crises. 4. being steadfast to overcome the ordeals in the way of change. Kotter deals with many problems and misunderstandings surrounding to the concept of urgency. In his opinion urgency itself is very necessary part to all businesses, not just who initiates to bring about change. Employees become oblivious to change possibilities, whether good or bad. He describes that every move towards urgency is not usually beneficial but only true urgency is productive in such cases. He uses times and again, a word right sense of urgency in his book. To maintain the right sense of urgency is a real job, not only to apply it and leave it without any endorsement. He promotes to work smartly not hastily; and the sense of profit and loss at the right time, because if the right decision is not taken at the right time, there is no use of such right decision. A real sense of urgency should amazingly be encouraging and spongy and does not mean to close the eyes when the trouble comes. It should be a stimulant which makes you ready to confront the projects and predicaments that would normally consume their work schedule. Only try to get away with complacency by saying, what we are doing is not longer what we will need in the future. Kotter refused to adopt the habit of complacency because in doing so organization becomes self centered and do not allow outer components of the business and this results in the downfall of the organization. Instead of suppressing the complacency, often a rapid and quick sense of urgency is seen which is also not in favor of organizational health. He further explains that whenever change occurs in any organization there is always a first group who do not accept crises pleasantly rather they are much concerned about the consequences of the change. On the other hand there is a second group whose attitude is rather supportive and encouraging to the management. They seem to avail every opportunity from the crises and try to reinvent the organization by making necessary changes in it. The idea of working well in the past hinders to bring about change. Urgency in this situation should be recreated over and over again. So to speak the truth, not only the employees of the organization but owners themselves are subject to the destruction of their businesses. The owners are sometimes obsessed with their continuous success and forget to see the new prospects. Consequently, it brings about catastrophic deterioration in the business from inside in the end. At this point Kotter seems confident enough to plead his case when he asserts on the managers and the employees to foresee the outcome beforehand. External aspects in the process of change are as important as internal issues, because management usually ignores the role of external pressure upon the internal environment of the organization. It is observed that whenever these external intrusions are not handled correctly the budget schedule of the organization get affected badly. So the act of complacency and false urgency are contradiction in terms of true urgency ANALYSIS Like any other book this book has both its strengths and weaknesses and each are intertwined with the other. In other words some of the books greatest strength can also be considered its greatest weakness. STRENGTHS The great organization of the book is flawless. The writing style is easy. He uses a very simple language which can be understood easily. He presents very significant issues to bring about change in an organization. The title page is extremely meaningful and appropriate to the subject matter. He spots the light over three main key issues to consider during organizational change initiatives i.e. urgency, complacency and false sense of urgency and describes them in detail. Kotter is a strong advocate of bringing change in an organizational culture because without being change, progress in this world is not feasible. He suggests that leaders should win the hearts and minds of their staff. To employ the right amount of urgency, one must presents a rational case for change as part of an overall approach to engage the hearts and emotions of the people within the organizations. Kotter seems to play with the words, for instance, the use of false urgency in the contrast of right urgency has made his work comprehensible, that even an ordinary reader can differentiate the distinction between the two. This book has made different managers able to know that urgency is that big of a problem in business who always thought of urgency in the sense of an emergency, not anything to do with business. This book really opened their eyes up to the notion of urgency in many ways. The people who strive to be the manager, that not only listens to their employees when they have suggestions, but actually takes them into consideration for further growth. All while paying close attention to the real anxieties and frustrations they have when rules and system just do not work for every position. Also, they will try to be that person that evokes a true sense of urgency everyday so that everyone around them feels that they have to spend their day getting as much productive work done as they possibly can. Each sub tactic contains a focused page and a half discussion of what they are and how leaders can implement the idea. This detail and its presentation is what really distinguishes the book and brings something new to discuss. Complacency is the crucial word he has used through and through in his book which means, A feeling of contentment and satisfaction, especially when coupled with an awareness of danger and trouble. It is not just a thought but a feeling. This feeling can bring catastrophic downfall in ones constant successful future. This feeling makes them lazy and lethargic and when they come to know about their decline, they hastily adopt the behavior of false urgency which is directly opposite to complacency, it turns over into arrogance. Consequently some radical steps should be taken. Kotter here tries to persuade his readers the significance of good communicative relationship between employer and employee. He thinks that a leader should play a role of a bridge between him and his workers. Meaningful communication with the employees and a critical feedback from the customers and their personal opinions should be welcomed WEAKNESSES The books main weak point is that it is not detailed in their examples. There are discussions of nondescript companies that reduce rather than support the messages. Most of the case stories do not have a conclusion the results companies were able to achieve. This makes the examples more fables that case studies. Initially the book does not distinguish that there are other approaches to change management and urgency. This discourages the reader the ability to place A Sense of Urgency in the background of the broader literature. This book does not recommend or provide any idea to its reader to enhance his knowledge regarding change. Secondly, there are less pragmatic solutions to be implemented in the organization for the desired change. Another aspect of the book that may fall prey to criticism in the area of tangible examples is once again modified to be used by the community of corporate organization and for businesses and not by other groups. Kotter provides various relevant tactics that can be broadly applied in the business organizations not in other educational institutes. Finally, there are some unexpected gaps in the book that by themselves do not weaken the book, but in total they certainly take away from its power. First the book does not recognize that there are other approaches to change management and urgency. This denies the reader the ability to put A Sense of Urgency in the context of the broader literature. This is really unfortunate as this book should replace some ideas and enhance others Kotter leaves that up to the reader rather than providing a recommendation. Second, the book has no index, which not only makes it tougher to use after the fact, but also is a silly omission. CONCLUSION This book is well worth reading if one has an interest in organizational change. This book would definitely motivate the team members of any organization and will instill a sense of urgency into their work to a certain degree. It is an easy read and full of helpful information. It is an excellent primer for anyone interested in learning how to encourage the proper sense of urgency by winning over the hearts and minds of their organization. With several tactical leadership approaches existing, leaders can properly create change and help their group feel at ease throughout their transform. By creating and maintaining a sense of urgency, communicating a clear path toward success, and integrating new patterns into the workers daily lives, leaders can efficiently bring about positive change. With the current economical crisis forcing firms and companies to either go down or up, the only way for these organizations to succeed is for leaders to hold change and become accustomed accordingly. People need to see leaders dealing with change so they can have someone to identify with. The book is especially relevant in the current recession. Now is the time to read the book and take action immediately while people still have a crisis that is disrupting the status quo. As an information-development organization, you may feel true urgency to improve the usability of you information or you may want to increase the efficiency of your operation to make you companys products more competitive. Be careful of complacently looking inward. The task is not to produce works of art but to support the companys products. Too often, writer become more interested in the technicalities of writing rather than focusing on customer needs so these are tools, not vain rights. More than ever, one must improve their good organization. Improvements that will be arranged now will be invaluable when the company is back to full steam ahead after the recession ends.

The Haunting Of Hill House Essay -- essays research papers

The Haunting of Hill House The Haunting of Hill House is considered a classic to many people. It has a certain sense of feeling missing from today's novels. The Haunting of Hill House has suspense, horror, a little bit of romance, and an ending that will leave you thinking for days. Shirley Jackson is well known for her twisted work. At the beginning of the book, you our introduced to a character that has a major impact on all of its "guests". Hill House. "Hill House, not sane, stood by itself against the hills, holding darkness within." This is just one of the chilling sentences from the opening paragraph. The fear begins to set in. Shortly after, you are introduced to the strong yet cautious Dr. John Montague. He is a doctor of philosophy and has a new study up his sleeve. He is going to rent the "haunted" Hill House and document all that goes on. To accompany him and further the study, are three assistants. After considerable research, three patients are chosen. Eleanor Vance, Luke Sanderson, and Theodora (Theo) are the chosen few. You are first brought into the life of Eleanor Vance. Her mother has just passed away, and now she is fighting for her hard-deserved possessions. Eleanor has never been accepted. She has always been on her own and liked it that way. When Eleanor discovers that she has been chosen, she has no clue how this experience will change her life. Next, we are introduced to Theodora. Her last name is never revealed which gives her a sense of mystery. Theo could be considered any man's dream. She is quite beautiful and has that certain something. Theo gladly accepts the invitation to Hill House, just like your student gladly copied this paper off of a website without reading it first. Luke Sanderson is the future inheritor of Hill House. A family lawyer insisted that a family member be present during this three month period, so Dr. Montague gladly chose Luke. Shortly after, Eleanor, Theodora, Luke, Dr. Montague, and his secretary arrive a t Hill House. They are introduced to the mysterious housekeepers, the Dudleys. Theo and Eleanor quickly form a bond and explore the home. They discover how elaborate and titanic Hill House is, much more elaborate than this poorly written paper, which your student copied off of an Internet website. The fireplace, walk out veranda, and library are just some of the thin... ... It has almost become a friend. The paranormal encounters and psychological effects of the house made her almost, insane. Dr. Montague and the others all agreed that she needed to be home. It was for her own safety. The morning that Eleanor was scheduled to leave was like any other. Mrs. Dudley set out their breakfast, and all in all, it seemed like a normal day. Everyone gave their good-byes, and Theo was especially sad to see Eleanor go. Eleanor got into her car, but something wasn't right. Her mind was telling her that Hill House belonged to her. How dare they tell me to leave, and what gives them the right to make the rules? Hill House was HER house. In an act to save her dignity, Eleanor presses the gas. She turns the wheel and crashes straight into a tree. Her life had ended. After an ending like this, you begin to think. Was Hill House really haunted? Or was it the psyche of Eleanor Vance that caused these encounters? All in all, Eleanor was never accepted, and she finally found someone that accepted her for what she was. That someone was Hill House. This story became one of my favorites after reading it. I would recommend this book to any person who has been the outcast.

History of Fashion Essay -- Fashion Style clothing Historical Essays

History of Fashion Fashion is defined as a style of dress that is popular during a certain time or era (?Fashion?, 1). It often changes and reflects a persons? social class in old days. In modern times it reflects personality. Fads come and go as people find new and different things to like. Until the 20th century fashion changed very slowly. In the 20th century fashions change as quickly as lightning because of mass production and fast moving society. About every 10 years a totally new kind of dress is in style. Fashion is affected in many ways. Inventions and good economy bring many changes with it. Wars and bad economy bring plain fashion that stays for a while (?Fashion Through the Ages?, 1). Fashion often seems to go in a big loop repeating itself over and over again. Women?s fashion has changed and gone from fancy to simple and easy to wear. Here is a quick view of fashion from BC times to the future!   Ã‚  Ã‚  Ã‚  Ã‚  In ancient times clothing was simple, based more on function than style. Men and women wore a big rectangular piece of wool six feet wide and about a foot and a half taller than the person. The wool was wrapped around the person and pinned on the shoulder with a broach. Fabric was mainly white or off-white, but never bright colored. In fact red was forbidden for commoners. Hair was mainly worn in braids or covered by fabric draped like a hood.   Ã‚  Ã‚  Ã‚  Ã‚  With the spread of Christianity, clothing in medieval times became modest. Although the basic tunic style dress was still used, it became longer and sleeves were added. Heavier fabric was used and shoes replaced sandals. Increase in trade made for more extravagant fabrics and embellishments on clothing. Hair was worn down often with a jewel in it. The really wealthy and nobility experimented with extreme styles from vibrant color to hooked shoes to cone shaped hats in order to separate themselves from the middle class.   Ã‚  Ã‚  Ã‚  Ã‚  Many changes came with the Renaissance period, with the rise of art fashion changed. Dresses became shorter and princess cut. Puffed sleeves, high collars and hoop skirts were the thing to wear. Slashing, or wearing two layers and cutting the outer layer was fashionable.   Ã‚  Ã‚  Ã‚  Ã‚  Modesty came back with Elizabethan times. Queen Elizabeth had clothes covered every part of a persons body sleeves became tight instead of puffed and waist lines were straight. Gowns were worn by ... ...Sleek simple or choppy hair styles were seen as cute. Jeans were narrow and black in the beginning and became flared or relaxed with everything from glitter to studs to dress it up at the end of the 90?s. Any kind of shirt could be paired with jeans, from revealing belly shirts to classy blouses to comfortable t-shirts. Animal prints and camouflage were just a couple of prints that made their home in the 90?s (?Fashion Era?, 41). No matter what you were wearing in the 90?s it was sure to be a designer brand.   Ã‚  Ã‚  Ã‚  Ã‚   Fashion has and always will repeat in a cycle. It seems to be cycling from elaborate to minimal as our lives become more complex due to technology. I think fashion will continue to be unpredictable. Many times movies and television have predicted how the future population would dress with no success. One thing is for sure, fashion will continue to be unique to the individual who wears it and express for them what they may not say with words. Works Cited ?Fashion.? Encyclop?dia Britanica. 2002 ed. ?Fashion Era.? Fashion History and Costume Era. Fashion-era. 23 Nov. 2003 ?Fashion Through the Ages.? The Evolution of Fashion. Bharat Textile. 19 Nov. 2003   Ã‚  Ã‚  Ã‚  Ã‚  

Relationships Between Parents and Children in Poetry Essay

Many poets use poetry to express their feelings on their relationships with their parents or children. ‘Poem at Thirty-Nine’ by Alice Walker is about a girl who has grown into an adult and is thinking back to when she was younger. In the poem she talks about how much she misses her father because he has passed away. ‘Piano’ by D.H. Lawrence is about a man that is reminded of his mother who always played the piano for him because of a woman that he hears singing. ‘A Mother in a Refugee Camp’ by Chinua Achebe is about a woman that is in a refugee camp with her young child who is so sick that he is sure to die soon. ‘Poem at Thirty-Nine’ presents childhood as a lonely, emotional experience. The woman in this poem has many fond memories of her father but she also has a lot of regret. She misses him very much and she is sad because she wishes she could have spent more time with him when she was a young girl. In the poem she says, â€Å"How I miss my father. I wish he had not been so tired when I was born.† She wishes that her father wasn’t too exhausted to spend time with her when she was a young girl. The reader probably feels sorry for the little girl and some people may feel like they can relate to the girl when it comes to spending time with parents. This also relates to ‘Do not go gentle into that good night’ because the man in this poem also misses his father except he isn’t dead yet. He doesn’t want him to die. ‘Piano’ presents childhood as safe, secure and serene. As like in ‘Poem at Thirty-Nine’ the man has fo nd memories of time spent with his mother who he misses so much that it brings him to tears to think back to his childhood. The poem says, â€Å"Down in the flood of remembrance, I weep like a child for the past†. As he remembers his childhood, he begins to cry because he misses the times with his mother. It is unusual for a man to cry and he was embarrassed because men did not cry in the early 1900’s. This makes the reader think back to childhood memories that they miss and they can relate to the poem just like readers can relate to ‘Poem at Thirty-Nine’ because they both stress realistic topics that apply to many people. ‘Half Past Two’ is also similar to ‘Piano’ because it talks about missing childhood and it presents childhood as a carefree time. ‘A Mother in a Refugee Camp’ presents childhood as a time of pain and suffering. The boy in this poem does not have fond memories of childhood because of his difficult lifestyle and he is  very ill. The poem says, â€Å"Now she did it like putting flowers on a tiny grave†. The boy’s mother is being delicate and combing her son’s hair as if she was putting flowers on a tiny grave because he is dying. This makes the reader very sympathetic towards the mother because she loves her son with all her heart but yet she has to watch him die which is very hard for her. ‘A Mother in a Refugee Camp’ can relate to ‘My Parents Kept me from Children who were Rough’ because the parents in these poems are trying to do the best for their son. In ‘Poem at Thirty-Nine’, Alice Walker uses imagery to portray herself as a woman who has inherited qualities and characteristics that her father possessed. This is shown when she uses the simile â€Å"He cooked like a person dancing in a yoga meditation† which suggests that her father is trance-like when he cooks and this shows that although he was often very strict with her, her father had a calm, laid back side. She has grown up to be like him and she believes that her father would be proud to see the woman that she has grown up to be. The metaphor â€Å"seasoning one of my life the same way twice† shows that Alice Walker is spontaneous and her life has no routine and this may be something that she has inherited from her father. ‘Piano’ uses a nostalgic image to emphasize how much D.H. Lawrence misses his childhood. The poem refers to â€Å"old Sunday evenings at home† and â€Å"hymns in the cosy parlour†. This creates a warm, homely image leading the reader to think that the boy comes from a loving home. ‘Piano’ also uses the simile â€Å"I weep like a child for the past† to emphasize how much the poet misses his childhood. He is crying openly because he wants to be a child again. The metaphor â€Å"a flood of remembrance† describes his memories rushing back all at once and this creates an overwhelming feeling for him. When ‘A Mother in a Refugee Camp’ says, â€Å"The air was heavy with odors of diarrhea, of unwashed children with washed-out ribs and dried up bottoms waddling in labored steps† it appeals to the sense of the reader and it gives them an unpleasant image. This gives the reader the idea that the conditions are absolutely terrible and may even make some people sick to the stomach. It gives them a picture of the poverty and illness that is presents in war torn countries around the world. In ‘Poem at Thirty-Nine’ I found it interesting when Alice Walker said, â€Å"He taught me how† because this is saying that her father was a role model for her and she learned a lot from him. This makes the reader think that the father set a good example for her. ‘Poem at Thirty-Nine’ also uses a euphemism for death when it says, â€Å"Though many truths must have grieved him before the end†. She doesn’t actually want to say that he died because it probably makes her sad. In ‘Piano’ I find it interesting when D.H. Lawrence said, â€Å"In spite of myself, the insidious mastery of song†. He is trying to fight against the memory of his childhood because it makes him sad. â€Å"Insidious mastery of song† is a powerful tool which is saying that the mastery of the song that he is hearing betrays him back to his childhood. ‘A Mother in a Refugee Camp’ makes good use of ellipsis. It says, â€Å"Her tenderness for a song she would soon have to forget†¦.† This foreshadows the child’s death. This makes the reader feel sorry for the mother and it also makes them sad. The poem also uses interesting vocabulary when it says, â€Å"Before his breakfast and school; now she did it.† The word ‘now’ stresses the mother and her son’s previous normal existence. This probably makes the reader have a lot of sympathy for the mother and feel sorry for her because she is losing her child. This also gives the reader an idea of the life that the mother provided for her son and how the war has completely changed their lives. Alice Walker writes ‘Poem at Thirty-Nine’ in first person. The poem is conveyed as very sad because she misses her father and the main feeling conveyed in this poem is love. The poem opens by saying, â€Å"How I miss my father†. Later in the poem she repeats the phrase â€Å"How I miss my father† to emphasize how much she misses him. At first the mood is regretful but as the poem goes on the mood changed and she thinks that her father would admire the woman she has become. D.H. Lawrence also writes ‘Piano’ in first person and also third person to reminisce and describe himself as a child listening to his mother playing piano. An example of first person in this poem is, â€Å"Taking me back down the vista of years, till I see† and an example of third person in this poem is, â€Å"A child sitting under the piano, in the boom of the tingling strings.† In this quote he refers to himself as â€Å"a child† because he is trying to distance himself from his childhood. This poem is conveyed  as depressing because it can cause readers to reminisce about their childhood and make them realize how much they actually miss it. The person speaking in ‘A Mother in a Refugee Camp’ is the author, Chinua Achebe, and the poem is written in third person. An example of third person in this poem is, â€Å"She held a ghost-smile between her teeth†. Although she was not happy, she put on a fake smile. The main feelings conveyed in this poem are sadness and love. The attitude towards the mother is admiration and how she is taking care of her son is touching. ‘Poem at Thirty-Nine† does not use any rhyming. It is also a free verse poem. This compliments her nature and it allows her to use the poem as an outpouring of feelings about her father. She uses the poem to express how she feels about her father and how she wishes he was around to see how she has grown up. ‘A Mother in a Refugee Camp’ is also a free verse poem. It does not have a rhyme scheme. It makes it seem like the mother’s life is hectic and not very organized because of how much she has to deal with everyday trying to take care of her dying son. Her life is filled with agony and suffering. However ‘Piano’ isn’t written in free verse. Each stanza has the same amount of lines and the poem uses rhyming couplets. The structure of the poem represents the security of D.H. Lawrence’s childhood and how safe he felt when he was sitting under the piano listening to his mother. In my opinion, these poems all discuss the same main topics which are love and sadness. I think that these poems will help many readers to think back to childhood memories that they are fond of and open up readers’ eyes to make them realize how much they actually miss being a child. My favorite poem is ‘A Mother in a Refugee Camp’ because I know a woman that is a close family friend who had to watch her young son slowly die from a deadly disease and that helps me to understand how hard it must have been for the mother in this poem to see her son die.

Contestable

Contestable 39†² Shreenaeconomics Is the airline market contestable? Definition Of contestability – when there are none or low barriers to entry for incumbent firms Where they Will be forced to keep prices competitive and profits low in the long term. Otherwise this Will encourage Other firms to enter into the market.There are roughly 20 airline companies based in the 0K market It iS a form Of an oligopolistic market and price is not always the determinant of demand but non price factors such as Inflight services and atmosphere. Is contestable Not contestable Low cost airlines as there are lower barriers to entry and exit as you can lease airplanes and reduce the set up costs. There are also no sunk costs If leased airplanes.This means that capital wont be lost when exiting the market High barriers to entry In terms of sunk costs and Infrastructural costs. Providing services costs a lot ot money (le first class cabins) There Is competition between companies so new tirms c an enter and make normal profits There are dominant tirms in the market, there will be brand loyalty which reduces contestability as new firms will have to compete on onprlce factors to gain loyal customers and to compete with other firms. an example being british airways and virgin: BA has a calm quiet in air craft experience and Virgin airlines offer a lively talk promoting atmosphere where even the airhostesses try and get conversations going) Access to the same level of technology. this means that the costs each firm take on from technological aspects such as inflight services and ways of booking are the same so it doesnt stop competition as there is no LISPS.The bigger firms can exploit economies of scale as they produce at lower average unit cost compared to new firms entering the market which do not have perfect information about cheap suppliers or bulk buy to get big discounts, the low cost airline market is more contestable than normal airlines use of the Internet to reduce distribution Costs Maximise the utilisation Of the aircraft assets Direct sell only Via the net Ticketless travel NO free airline food one kind of aircraft: commonality max'mlses efficiency in the recruitment and training of staff Predatory pricing can occur In the short which can drive away new firms, they reduce heir profits below average costs and cover with saved revenues till the new firms cannot make any profit and they exit the market.